I use my practice to document experiences and memories. I work in oil and acrylic paint mediums on top of a unique spray paint abstraction, and have recently adopted the use of palette knives as my key painting apparatus. This technique makes a curious display of soft subjects engaging with an abstract space that displays architecture, landscape, and decay. 

I’ve previously explored subjects where nature has overpowered human intervention in paintings and lithography, and now look to the emotive qualities of the Canadian landscape and rural environments.